POST-AI JOURNAL OF ART

POST-AI JOURNAL OF ART

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๐‘๐ž๐š๐ฅ๐ข๐ญ๐ฒ ๐ˆ๐ฌ ๐€ ๐‹๐ฎ๐ฑ๐ฎ๐ซ๐ฒ

๐™ƒ๐’‚๐™ฃ๐’…๐™ข๐’‚๐™™๐’† / ๐‘ด๐™–๐’„๐™๐’Š๐™ฃ๐’†๐™ข๐’‚๐™™๐’†

Revisiting: Your Mirror Image Is Not You

๐ˆ ๐–๐š๐ง๐ญ ๐“๐จ ๐๐ž ๐„๐ข๐ญ๐ก๐ž๐ซ ๐๐ž๐ฅ๐ฅ๐š ๐‡๐š๐๐ข๐ ๐Ž๐ซ ๐€ ๐๐จ๐ฒ

๐‘ฎ๐‘จ๐’๐‘ฌ

๐ถโ„Ž๐‘Ž๐‘œ๐‘  Is Beautiful

๐–๐จ๐ซ๐๐ฌ ๐“๐ž๐ง๐ ๐“๐จ ๐๐ž ๐ˆ๐ง๐š๐๐ž๐ช๐ฎ๐š๐ญ๐ž

๐Œ๐จ๐ซ๐ž ๐“๐ก๐š๐ง ๐“๐ก๐ž ๐„๐ฒ๐ž๐ฌ ๐‚๐š๐ง ๐’๐ž๐ž

๐˜ผ๐‘น๐™ ๐™๐‘ถ๐™ ๐˜ผ ๐™ƒ๐’€๐™‹๐‘ฌ๐™๐‘ด๐™€๐‘ซ๐™„๐‘จ ๐‘พ๐™Š๐‘น๐™‡๐‘ซ

๐‘‡โ„Ž๐‘’ ๐‘‰๐‘Ž๐‘›๐‘–๐‘ โ„Ž๐‘–๐‘›๐‘”

Field Notes โ€ข ๐‘†๐‘ข๐‘š๐‘š๐‘’๐‘Ÿ ๐ต๐‘œ๐‘‘๐‘ฆ

โœถThe Fourth Secret of Internet Cinemaโœถ

Artificial Intelligence, Human Idiocy

Field Notes โ€ข ๐‘†๐‘ก๐‘Ÿ๐‘–๐‘˜๐‘’

Your Body Is My Canvas

โœŒ๏ธTasteโœŒ๏ธ โœŒ๏ธEconomyโœŒ๏ธin the art world

๐‘†โ„Ž๐‘œ๐‘œ๐‘ก๐‘–๐‘›๐‘” ๐‘Ž๐‘›๐‘‘ ๐น๐‘ข๐‘๐‘˜๐‘–๐‘›๐‘”

๐˜š๐‘๐˜ช๐‘ก + ๐—ฃ๐—ฟ๐—ฒ๐˜€๐˜€๐˜‚๐—ฟ๐—ฒ

Notes from the future (๐Œ๐š๐ฒ ๐„๐๐ข๐ญ๐ข๐จ๐ง)

P๐ขx๐žl D๐ฎs๐ญ

The partyโ€™s only over when the conversation dies

IMAGE.๐—˜๐—ซ๐—˜

๐‘๐ธ๐‘Š ๐‘ƒ๐‘…๐ธ๐‘†๐‘‡๐ผ๐บ๐ธ

Field Notes โ€ข ๐‘€๐‘Ž๐‘Ÿ๐‘š๐‘œ๐‘Ÿ๐‘’๐‘ข๐‘š

MอŸaอŸyอŸbอŸeอŸ อŸtอŸhอŸeอŸ อŸsอŸmอŸaอŸrอŸtอŸ อŸoอŸnอŸeอŸ อŸiอŸsอŸ อŸTอŸhอŸeอŸ อŸFอŸoอŸoอŸlอŸ

SอŸeอŸeอŸiอŸnอŸgอŸ อŸaอŸrอŸtอŸ อŸlอŸiอŸkอŸeอŸ อŸaอŸ อŸtอŸwอŸoอŸ อŸyอŸeอŸaอŸrอŸ-อŸoอŸlอŸdอŸ

Field Notes โ€ข The Wreck of Hope

๐‘…๐‘’๐‘ ๐‘œ๐‘›๐‘Ž๐‘›๐‘๐‘’

๐•น๐–”๐–™ ๐•ฐ๐–›๐–Š๐–“ ๐•ฟ๐–๐–Š ๐•ฏ๐–Š๐–†๐–‰ ๐•ฌ๐–—๐–Š ๐•พ๐–†๐–‹๐–Š

๐‘ป๐’๐’•๐’‚๐’ ๐‘ช๐’๐’๐’•๐’“๐’๐’ ๐‘ถ๐’‡ ๐‘ด๐’†

Hฬฒuฬฒmฬฒaฬฒnฬฒ ฬฒAฬฒfฬฒtฬฒeฬฒrฬฒ ฬฒAฬฒlฬฒlฬฒ

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